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Critics Consensus: Ms. Marvel is a genuinely fresh addition to the MCU — both stylistically and substantively — with Iman Vellani ably powering proceedings with her super-sized charisma.

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Critics Consensus: Darker and denser than its predecessors, Stranger Things‘ fourth chapter sets the stage for the show’s final season in typically bingeworthy fashion.

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Critics Consensus: Managing to up the ante on what was already one of television’s most audacious satires, The Boys‘ third season is both bracingly visceral and wickedly smart.

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Critics Consensus: Catnip for cinephiles and a welcome spotlight for the spellbinding Alicia Vikander, Irma Vep is a worthwhile expansion of writer-director Olivier Assayas’ cinematic opus.

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Critics Consensus: Peaky Blinders‘ sixth season gracefully addresses the untimely passing of star Helen McCrory while setting the stage for a fitting climax to this epic saga of likable scalawags.

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Critics Consensus: For All Mankind‘s third season goes as far as Mars while maintaining a homey focus on its original ensemble, delivering another epic adventure with an intimate focus.

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Critics Consensus: Zahn McClarnon is riveting as a coiled cop in Dark Winds, a solid procedural that derives much of its texture from an underrepresented cultural milieu.

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Critics Consensus: An inclusive romance told with striking sensitivity, Heartstopper is so effortlessly charming that viewers won’t dare skip a beat.

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Critics Consensus: The Staircase doesn’t hold many surprises for those already intimate with the original documentary, but this dramatization brings a fresh perspective and texture to the mystery — along with a terrific performance by Colin Firth.

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Critics Consensus: Night Sky reaches for the stars when it really should have settled on a feature length finish, but the combined supernova of J.K. Simmons and Sissy Spacek shines bright.

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Critics Consensus: Its entertainment value may wax and wane a bit, but Moon Knight ultimately settles into a mostly enjoyable — and refreshingly weird — spot in the MCU firmament.

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Critics Consensus: This sapphic soap about vampiric love is earnest enough to put a stake through the hearts of the genre faithful, but its clumsy execution leaves an aftertaste that’s more garlicky than sweet.

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Critics Consensus: Better Call Saul remains as masterfully in control as Jimmy McGill keeps insisting he is in this final season, where years of simmering storytelling come to a scintillating boil.

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Critics Consensus: David E. Kelley’s adaptation of the The Lincoln Lawyer relies too much on quirk to paper over its lack of true novelty, but this is a reliable enough vehicle for fans of legal pulp.

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Critics Consensus: Bill Hader and company can take a well-deserved bow — Barry makes its belated return to the screen without missing a step, retaining its edge as one of television’s funniest and most unsettling offerings.

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Critics Consensus: While Under the Banner of Heaven gets bogged down by an overabundance of backstory, its procedural through-line is enriched by a thoughtful introspection on personal faith.

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Critics Consensus: A spiritual successor to The Wire with an even more pessimistic outlook on law enforcement, We Own This City deftly explores compromised individuals to paint an overall picture of systemic corruption.

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Critics Consensus: Borgen returns after an extended hiatus with its emotional heft and political intelligence wholly intact, reasserting itself as the best kind of brainy escapism.

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