When it comes to promoting emerging Russian talent, the Key Buyers Event has the clout to make sure they get their names in front of a worldwide audience.

Organizer Roskino’s Evgenia Markova says the event’s main purpose is to “promote top national projects that will place their creators and cast on the forefront,” according to the statement. Russian stars and their views on the world arena will also be the focus of a separate session this year.

Participants include international casting director Frank Moiselle; actor and Key Buyers Event ambassadors Yuri Kolokolnikov; talent agent Richard Cook; and emerging actress Sofia Lebedeva and producer Gudny Hummelvoll.

‘It’s a hot topic to discuss,’ said Markova, citing the recent announcement of the Cannes Film Festival’s roster, which features six Russian films (including two in the main category), as more evidence that Russian performers and producers are gaining traction around the world.

A combination of their deep cultural roots and openness and courage to discuss difficult subjects and study all kinds of topics that affect Russians and people throughout the world, according to my point of view, Russian talents have their vision on the world.” “They want to tell stories that will resonate with people around the world.”

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Khodchenkova

Khodchenkova was drawn to acting at a young age, and she knew it from the start. According to her, it’s a chance to “enjoy an unorthodox life.” This young actress was spotted by a Moscow casting director in her first year of theatrical school, who then brought her in for an interview by the renowned director Stanislav Govorukhin. “Bless the Woman” cast Khodchenkova as its star, and she has since become one of Russia’s most in-demand actors.

For the first time, she has taken on the role of producer with the film “Another Name,” directed by Veta Geraskin, which she co-wrote and starred in. Anna K, Netflix’s contemporary adaption of Leo Tolstoy’s “Anna Karenina,” has given her her greatest part yet. Khodchenkova called it “the most beautiful time for me” and a “Russian actress’ dream [part].” What is her only hope for the future? To put it another way, “My job will never be tedious or uninteresting.”

Yulia Snigir is a Russian actress.

Chess prodigy Snigir found her way into acting by accident while working as an English language teacher in Moscow. The Russian TV series “Catherine the Great” was her first major part, followed by a starring role in Paolo Sorrentino’s “The New Pope,” which made her an international star.

Snigir received a standing ovation for 15 minutes when the play premiered at the Venice Film Festival, earning her the Russian equivalent of an Oscar. Snigir, whose star is rising, believes Yorgos Lanthimos is her “dream filmmaker” to collaborate with. It “exactly suits my nerve as an actress,” she says. “I appreciate the way actors in his films blend stunning form with deep understanding.

Vladimir Andreev’s wife

Andreeva made her directorial debut in 2019 with the short film “Cry With You,” which she co-wrote and directed. “I was looking for ways to expand my professional horizons,” she explains. As an actress, “I didn’t simply want to carry the storey, I also wanted to be able to construct it and invent new universes.”

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” For Russian streaming service More. tv’s debut dramatic series, “Psycho,” director Fedor Bondarchuk’s Andreeva made a career leap last year as the series’ scriptwriter. “As my debut, it was a crucial declaration of self-expression; something quite frank and honest,” explains Andreeva. However, the multi-hyphenate argues that this is just the beginning. Aiming to merge her acting career with her love for the screenplay, she explains. “I’ve got a lot of ideas brewing.”

The Lubov Mulmenko

Mulmenko has known since she was a child that she wanted to pursue a career as a writer. Creating the characters and their settings was “a joy,” she says. She was able to “share my existential feelings” and “learn even more in the process” as she experimented with various forms of expression.

As a screenwriter, Mulmenko made her breakthrough with a trilogy of drama films that aired at festivals such as San Sebastian and Karlovy Vary in 2014 and recently collaborated on the Trans-Siberian Railway thriller “Compartment No. 6,” which will premiere in competition at Cannes. Directorial debut: “The Danube” will be released later this year. It’s all she wants to do, “but I’d like to write less for others and produce more of my films,” she says.

The name of Ella Manzheeva

Manzheeva, a talented violinist, has always dreamed of being a musician. Everything changed, though, the moment I stepped foot on a movie set for the first time. Eventually, she understood that she couldn’t stop creating universes out of her feelings and thoughts. Her feature debut, “Seagulls,” premiered in the Forum strand of the Berlinale and has since been shown in more than 30 countries worldwide. As a result, she adds,

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“I found my voice and told the world about my culture,” putting Kalmykia, her native land, “on the worldwide filmmaking map.” When “White Road” was accepted into L’Atelier at Cannes Film Festival, Manzheeva was allowed to share another piece of her unique storey with the world. In her opinion, an artist is a piece of art in and of itself. I desire to share my world with others.