Top 10 Music Concert Films of All Time: List
Renaissance: A Film by Beyoncé grossed $1.9 million in its third weekend in U.S. theaters, according to boxofficemojo.com, bringing its total to $30.8 million. That makes it one of the top five grossing concert films in history.
It is far behind the all-time leader, Taylor Swift: The Eras Tour, which grossed $179.2 million in a nine-week run following its release in October. Swift’s film is No. 11 among all films for 2023. Beyoncé’s film is No. 60. That isn’t meant to take the shine off Bey’s film, it just goes to show what a phenomenon Swift’s film was. (Beyoncé and Taylor Swift attended each other’s premieres, a show of mutual respect and support that was heartening to see.)
Beyoncé’s film ranked No. 1 at the weekly boxoffice two weeks ago, becoming the fourth concert film to achieve that feat. Hannah Montana and Miley Cyrus: Best of Both Worlds Concert and Michael Jackson’s This Is It each logged one week on top of the domestic boxoffice. Swift’s film became the first concert film to top the domestic box office for two weeks.
Beyoncé wrote, directed and produced Renaissance: A Film by Beyoncé, which chronicles the development and execution of the Renaissance World Tour, Beyoncé’s 2023 stadium tour in support of her Grammy-winning album Renaissance (2022).
In a piece highlighting the seven best moments of Beyoncé’s film, Billboard’s Kyle Denis noted: “The film provides a rare peek into Beyoncé’s behind-the-scenes process, namely how she runs her ship as the Mother of the House of Renaissance. Over nearly three hours, the documentary treats fans to pristine footage of several nights of the superstar’s record-breaking Renaissance World Tour. Seamless edits showcase the endless variety of haute couture costumes the ‘Break My Soul’ singer flaunted across her 56 sold-out shows, and intimate black-and-white scenes present the Beyoncé her family sees off stage.”
Here are the 10 highest-grossing music concert films, according to boxofficemojo.com. This list counts only domestic box-office receipts, which explains the absence of previous Swift projects such as the Netflix documentary Miss Americana (2020).
Note: Boxofficemojo.com’s list of top-grossing contemporary music concert films doesn’t include Renaissance, which is more of documentary than Swift’s film, which is a straight concert film. But since Renaissance is based on a concert, and since other films in their top 10 also include documentary material, we’re counting it.
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Glee: The 3D Concert Movie
Release Date: Aug. 12, 2011
Domestic Gross: $11.9 million
Director: Kevin Tancharoen
Running Time: 1:24
Notes: This concert doc was shot during the Glee Live! In Concert! Tour stop in East Rutherford, N.J. Would fans pay to see Lea Michele, Chris Colfer, Cory Monteith, Dianna Agron and other Glee favorites when they could see them for free every week on TV? More than a few did. In addition to behind-the-scenes footage, the film portrays the series’ influence on teenagers, including a gay kid, one with Asperger syndrome and a cheerleader of short stature. The fan segments were created by documentary filmmaker Jennifer Arnold.
The accompanying soundtrack album, Glee: The 3D Concert Movie, didn’t do that well. It reached No. 16 on the Billboard 200, becoming the first Glee title to fall short of the top 10 on that chart.
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Madonna: Truth or Dare
Release Date: May 10, 1991
Domestic Gross: $15 million
Director: Alek Keshishian
Running Time: 2:00
Notes: The doc followed Madonna on her Blond Ambition world tour of 1990. The movie’s tag line: “The ultimate dare is to tell the truth.” Madonna: Truth or Dare was known as In Bed With Madonna internationally. The film was initially intended to be a traditional concert film, but director Keshishian was so impressed with Madonna’s backstage life that he persuaded the star to make it the focus of the film. The film was edited to be in black-and-white, in order to emulate cinéma vérité, while the performance scenes are in color.
Madonna was nominated for a Razzie Award for worst actress for this film. The Razzies deserve a razzie for that really dumb move: This was a great music doc.
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Jonas Brothers: The 3D Concert Experience
Release Date: Feb. 27, 2009
Domestic Gross: $19. 1 million
Director: Bruce Hendricks
Running Time: 1:16
Notes: Ah, youth. Nick Jonas was just 16 when this film came out. Joe was 19; Kevin was 21. This 3D concert film captured their 2008-09 The Burning Up concert tour. An accompanying album, Music From the 3D Concert Experience, was released three days before the film and entered the Billboard 200 at No. 3.
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Katy Perry: Part of Me
Release Date: July 5, 2012
Domestic Gross: $25.3 million
Director: Dan Cutforth, Jane Lipsitz
Running Time: 1:33
Notes: This film followed Perry on her 2011-12 California Dreams world tour. The film was released less than a year after Perry’s Teenage Dream tied Michael Jackson’s Bad record for the most No. 1 singles from an album. (Never fear: He’s coming up on this list.) Part of Me took its title from the title of a then-recent Perry smash, which entered the Hot 100 at No. 1 on March 3, 2012. The film follows Perry through her tour, while providing insight into her relationship with stardom.
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One Direction: This Is Us
Release Date: Aug. 30, 2013
Domestic Gross: $28.9 million
Director: Morgan Spurlock
Running Time: 1:32
Notes: This is the highest-grossing contemporary music concert film by a group. 1D released this film in between their albums Take Me Home and Midnight Memories, both of which entered the Billboard 200 at No. 1. Billed as an intimate, all-access look at life on the road for the global pop stars, This Is Us contains live concert footage from their Take Me Home Tour stop at London’s O2 Arena, and footage from their lives both pre- and post-X Factor.
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Renaissance: A Film by Beyoncé
Release Date: Dec. 1, 2023
Domestic Gross: $30.8 million (so far)
Director: Beyoncé
Running time: 2:49
Notes: In his piece listing the seven highlights of Beyoncé’s film, Billboard’s Kyle Denis notes that the film “is as much about the enigmatic artistic genius as it is about community — the various intersecting communities that crafted the album and tour, enjoyed the music at the concerts, and inspired the throughlines of Black queer liberation that course through Queen Bey’s most recent musical era.”
Beyoncé’s husband, Jay-Z; mother, Ms. Tina Knowles; and three children, Blue Ivy, Rumi and Sir Carter, are featured in the film. There are also cameos from Diana Ross, Megan Thee Stallion, Cardi B, Kendrick Lamar and Tracee Ellis Ross, as well as Bey’s former Destiny’s Child bandmates Kelly Rowland, Michelle Williams, LeToya Luckett and LaTavia Roberson.
The film premiered at the Samuel Goldwyn Theater in Los Angeles on Nov. 25, before the film’s theatrical release in the U.S. on Dec. 1.
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Hannah Montana and Miley Cyrus: Best of Both Worlds Concert
Release Date: Feb. 1, 2008
Domestic Gross: $65.3 million
Director: Bruce Hendricks
Running Time: 1:14
Notes: Cyrus was just 15 when this film was released, yet it became the highest-grossing contemporary music concert film ever by a female artist. (For the time being.) The film features Miley’s dad Billy Ray Cyrus and special guests Jonas Brothers. An album, Best of Both Worlds Concert, was released the following month (on March 11), and reached No. 3 on the Billboard 200 dated May 3, 2008. The film premiered on Disney Channel on July 26, 2008, reaching 5.9 million viewers.
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Michael Jackson’s This Is It
Release Date: Oct. 28, 2009
Domestic Gross: $72.1 million
Director: Kenny Ortega
Running Time: 1:51
Notes: “Like you’ve never seen him before” was the tagline for this film, which was released just four months after Jackson’s shocking death on June 25, 2009. It’s a compilation of interviews, dancer auditions, rehearsals and backstage footage as Jackson prepared for his 50-show run at the 02 Arena in London (which was set to kick off on July 13.) There was a heated debate at the time about whether Jackson, who was famously a perfectionist, would have wanted this rehearsal footage to be released. Here he was, working toward a goal – but he wasn’t there yet. However, many thought seeing the work process here humanized him. Turns out achieving perfection is bloody hard work. A double-disk soundtrack from the film entered the Billboard 200 at No. 1.
Jackson’s nephew, Taj Jackson, makes a strong argument that, since Jackson didn’t get This Is It to the O2 stage, This Is It should be viewed as a documentary, not a concert film. But since Jackson died, this is the closest we will ever get to a concert film from the show he was creating at the time of his death. Anyway, for now, at least, the film is listed in boxofficemojo.com’s list of top concert films.
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Justin Bieber: Never Say Never
Release Date: Feb. 11, 2011
Domestic Gross: $73 million
Director: Jon M. Chu
Running time: 1:45
Notes: “Find out what’s possible if you never give up” was the inspiring tagline for this film, which followed the then-16-year-old pop star on his 2010 concert tour. The film, which also featured Boyz II Men, Miley Cyrus and Sean Kingston, is the first (and only) film from MTV Films to receive a G-rating. An EP, Never Say Never: The Remixes, was released three days after the film. It entered the Billboard 200 at No. 1. A sequel, Justin Bieber’s Believe, was released on Dec. 25, 2013, but it grossed just $6.2 million domestically.
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Taylor Swift: The Eras Tour
Release Date: Oct. 13, 2023
Domestic Gross: $179.2 million
Director: Sam Wrench
Running time: 2:49
Notes: Taylor Swift: The Eras Tour was shot over the course of Swift’s first three shows at SoFi Stadium in Inglewood, Calif., where she performed a total of six shows in early August. It was directed by Sam Wrench, who received a Grammy nomination late last year for directing Billie Eilish Live at the O2, which was a contender for best music film. He has also worked on projects by BTS, Lizzo, Ariana Grande, Justin Bieber, The Weeknd and Mary J. Blige.
The Eras Tour film depicts performances of almost all of the songs on the tour’s standard set list. A handful of songs were cut to keep the film’s running time under three hours. The film received critical acclaim for capturing the show’s spectacle and energy. Billboard’s Katie Atkinson’s main takeaway: “Whether you never attended The Eras Tour or you went dozens of times, you will leave this movie with a new perspective of the career-spanning trek. While front-row fans or the JumboTron cameras might have captured a cute facial expression or dance move here and there, the cameras caught everything, making it feel like you’re onstage with Swift and crew.”